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Oliver Oliveros
STAGES' Resident Publicist

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Public Relations Consultant, Lecturer, Publicist, Columnist and Contributor based in Manila, Philippines

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stages_pr@i-manila.com.ph

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CONTRIBUTOR: FilAmNation.Com (U.S.), Philippine Daily Mirror (U.S.), Pop Times Magazine (U.S.), Yehey.Com (Philippines), Getzmo.Com (Philippines), Pep.Ph (Philippines), Lifestyle Asia Travel Magazine (Philippines), Starstudio Magazine (Philippines), among others


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Friday, November 06, 2009

Repertory Philippines’ SWEENEY TODD opens November 14


Repertory Philippines opens its new production of the celebrated, Tony Award-winning musical thriller SWEENEY TODD on Saturday, November 14, 2009 at Onstage, Greenbelt 1.

With music and lyrics by Stephen Sondheim and book by Hugh Wheeler, this production boasts a formidable cast. Led by theatre stalwart Audie Gemora in the title role, the musical includes major role players Menchu Lauchengco-Yulo (Mrs. Lovett), Robbie Guevara (Beadle), Robbie Zialcita (Pirelli), Roger Chua (Judge Turpin), Liesl Batucan (beggar woman), and Repertory Philippines newcomers Marvin Ong (Tobias), Lena McKenzie (Johanna), and Franco Laurel (Anthony).

Lending musical support is Gerard Salonga conducting the FILharmoniKA, while Baby Barredo and Michael Williams co-direct.

The show also features Meynard Penalosa (Benjamin Barker/Sweeney Todd understudy), Juno Henares (Mrs. Lovett understudy), and chorus members: Joy Virata, Raul Montesa, Rem Zamora, Cara Barredo, Naths Everett, Oliver Usison, Jay Glorioso, Red Concepcion, Teenee Chan, Marisse Santos, Ring Antonio, James Stacey, Jejie Esguerra, Hans Eckstein, Jay Pangilinan, David Cruz, Gary Junsay, Collins Gutierrez, Gloria Sicam, and Ronna Guba.

The musical, considered as Sondheim’s magnum opus, has been dubbed as one of the 20th century’s more brilliant creations in musical theatre. It opened on Broadway at the Uris Theatre in March 1979, and ran for 557 performances.

Playdates are from November 14 to December 13, 2009, with Fridays and Saturdays at 8:00 PM, and Saturday and Sunday matinees at 3:30 PM. Performances are at Onstage, 2/F Greenbelt 1, Paseo de Roxas, Makati City. For tickets and inquiries, call 887-0710, 888-0887 or log on to www.repertory.ph or Tickeworld 891-9999 or log on to www.ticketworld.com.ph.

Repertory Philippines’ SWEENEY TODD is made possible with support coming from Bench, Business World, Lifestyle Channel, Bag of Beans, Ayala Cinemas, ClicktheCity.com, Lane Moving & Storage, Yehey.com, Dot.ph, Gourmet’s CafĂ©, NU 107, Crossover 105.1, Jam 88.3, and XFM 92.3.

How to make Rep plays more popular


Nestor Cuartero, Tempo

JUST A THOUGHT: Worthy is he who never fails to thank God for all His blessings but admirable is he who still thanks Him inspite of troubles.

* * *

THE GOOD news is that Repertory Philippines has opted to go popular by reaching out to a wider audience, the masa included.

Rep has recently asked Stages to help promote its major musical this year, ‘Sweeney Todd,’ starring Audie Gemora and Menchu Lauchengco Yulo in the lead roles.

Audie’s staff mounted a presscon last week, the first time in a long time that the veteran theater company founded by the late Zeneida ‘Bibot’ Amador ever hosted an event like that. The launch was attended by a predominantly entertainment press, whose members noted how many actors from the theater have moved to (or are moonlighting in) TV and movies to keep themselves financially stable.

The press also asked why theater companies have not addressed the very low pay actors get per play. Yulo, who has been in theater for 25 years, said a lead player is lucky to be paid 5 thousand pesos per performance.

Gemora said it is the actor’s passion for acting that keeps him, and the likes of him, to do theater. He has tried going mainstream, but realized that film isn’t his medium. The stage is truly an actor’s medium, he added.

Both Gemora and Yulo gushed over the beauty of ‘Sweeney Todd,’ whose music and lyrics by Stephen Sondheim, are said to be most difficult. There is dissonance in his music, they chorused, making the songs extremely challenging to sing.

‘Sweeney Todd’ is a 1979 Tony-winning musical based on the 1973 play, ‘Sweeney Todd, The Demon Barber of Fleet Street’ by Christopher Bond. The character of ‘Sweeney Todd,’ says Gemora, has gone from a minor madman in a 19th century newspaper serial to the melancholy murderer in this musical.

The play opens at Onstage in Greenbelt on Nov. 14 and will run in the same theater until Dec. 13 under the direction of Michael Williams and Baby Barredo.

Thursday, November 05, 2009

Introducing Fil-Am singer Gahlya


ORANGE COUNTY, CALIFORNIA. November 2009. A name can make or break anyone with dreams of becoming a star, but when you’re a 14 year old Filipino-American pop and R&B singer named Gahlya- which was derived from the name Adi Gallia, a “Star Wars” female Jedi Master under the call sign “Shooting Star” - the only way to go is up!

Gahlya is the newest teen sensation set to sky rocket to Hollywood in a huge way, performing as front act for The-Dream, the Grammy-award winning R&B singer and songwriter who has written hits like “Umbrella” for Rihanna and “Put a Ring On It” for Beyonce, with vixen songstress Christina Milian this month at the UC IrvineBren events center in California.

People say that a minute can change your destiny, but for Gahlya it was gumption and a surprise email that gave her a U.S. recording contract and set her on the road from her former name, Rachel Razon, to taking over America as Gahlya.

“I just thought, this is my chance, this could be the beginning of possibilities and opportunities,” Gahlya shares, remembering when she received the email to fly to Los Angeles and do a demo for Manny Mijares, owner and executive record producer of Upscale Recording, a music company with R&B greats like Musiq Soulchild and Christina Milian among their talents. Gahlya had met Mijares before at a music convention in 2008 when the teen joined the World Championship Of Performing Arts (WCOPA) in Hollywood.

Gahlya won Junior Grand Finalist for the song “Good Morning Baltimore,” but it was the chance meeting with Mijares that changed Gahlya’s course. “Manny was giving a talk and I raised my hand to ask how a young teen like me from the Philippines could make it in the U.S. recording industry,” Gahlya continues. The record producer called her to the stage, and asked Gahlya to sing and she sang “Big Girls Don’t Cry”. Mijares was in awe of Gahyla’s spunky confidence and fresh R&B vocals that after the demo he signed her up with Upscale Recording.

What sets Gahlya apart from other teen-or even adult- singers is that while they are struggling to find out what music they want to make, flitting from one sound to another, Gahlya speaks with sureness past her 14 years. At the snap of a finger she describes her music as “a fresh new sound mixed with old school R&B with a new school futuristic twist” citing the '90’s hip hop group TLC’s laid back swag and Lady Gaga’s no nonsense avant-garde edge as influences. “I love the late Aaliyah too, and Lady Gaga, she’s bold, she’s different, I mean if it is who you are then it is who you are. That’s what I want to incorporate as Gahlya”. A taste of Gahlya’s sound can be found in “Hypno,” her single released last September 8, smacking of teen electro pop, while her upcoming single “Be the One” a remake of singer Stevie B’s song has a more breezy, peppy, pop groove.

New fans will be pleased to hear that there is more where that infectious, youthful vibe can be found. Gahlya has been recording her debut album in the U.S. under Upscale Recording in Orange County since July of this year with exciting collaborations with songwriters from Disney, Interscope, Jive, and many well-known industry hitmakers. The “Hypno” music video is also in the works by famed Hollywood music video production designer David Courtemarche, who has done the music videos of Britney Spears, Janet Jackson, and JayZ to name a few.

While things have been spinning fast for the teen, Gahlya is very grateful for the opportunities that came her way, “A lot of people can approach you and tell you that they will hear your demo but Mijares has really spearheaded my career. He has a lot of hopes and dreams just like I do,” she shares. Mijares also pushed for the change from Rachel Razon to Gahlya. “With Rachel, there are a lot of Rachels, but we wanted something strong and futuristic as well. The name Gahlya not only comes from the Star Wars character Adi Gallia, I flipped up the name and included the Y to incorporate my two inspirations Lady Gaga for her boldness and Aaliyah for her swagger to make Gahlya,” the teen singer explains.

As projects are propelling her to make a name in Hollywood, Gahlya is beaming with Filipino pride.” I want to make a dent in the US and to bring that to the Philippines and say that, hey, there is great talent here, look!” In the Philippines, Gahlya beams with pride when speaking of the world champion Philippine Allstars artists and hip hop dance crew, as her mentors who have helped her in her development as Gahlya, “meeting the Philippine Allstars and choreographer Sheena Vera Cruz has given me so much confidence and pride in being not just a Filipino artist but a Filipino!” Gahlya is also a proud performer for Trumpets Playshop Teens. Previous to that she took voice and acting lessons at ABS-CBN in 2005 after moving back to Manila.

When asked if she would like to have a music career in the Philippines, Gahlya breezily answers with a broad smile. “I think I want to take one country at a time”. After all, Gahlya is still a teen- a high school freshman, an avid book lover, a “Twilight” series fan, and a fashionista with an irresistible penchant for shoes- simply coping with the jet setting surrealism of it all, taking it one shooting star at a time.

More on Gahlya can be found on her website www.gahlya.com or www.upscalerecording.com.

Tuesday, November 03, 2009

BroadwayWorld.com: CATS in Manila to Feature Tony Winner Lea Salonga as 'Grizabella', Begins Run 7/24/2010


by Oliver Oliveros, BroadwayWorld.com

CITIGROUP INC. has announced in the Philippine Daily Inquirer (11/3/09) that CATS, the second longest-running musical in Broadway history, will have a limited run at the Cultural Center of the Philippines (CCP) beginning July 24, 2010. This production will feature Tony winner Lea Salonga as Grizabella, and an international cast that will primarily come from Australia, and the United Kingdom.

CATS is one of Broadway’s British imports, which was truly phenomenal – the production at the Winter Garden Theatre ran for 18 years.

The show, based on the OLD POSSUM’S BOOK OF PRACTICAL CATS by T.S. Eliot has music by musical theatre master Andrew Lloyd Webber (The Phantom of the Opera, Sunset Boulevard). Its musical numbers include the hit song MEMORY.

BroadwayWorld.com Philippines had a quick interview with Lea while enroute to Toronto, Canada for her U.S. and Canada 2009 concert tour. “The tour has been going along very nicely! We’ve had very receptive and enthusiastic audiences at every stop, and it makes me happy we’ve been greeted so wonderfully. I think CATS in Manila is also a touring production. But I’ll only be part of it in Manila,” she said.

CATS first opened in London’s West End in 1981 with Elaine Paige (Grizabella), and then on Broadway after a year with Betty Buckley (Grizabella), directed by Trevor Nunn (Les Miserables, Starlight Express), and choreographed by Gilliane Lynne (The Phantom of the Opera, Aspects of Love). The musical won numerous awards including both the Laurence Olivier Award and Tony Award for Best Musical.

Grizabella is a former Glamour Cat who has lost her clout and sparkle, and now only seeks to be accepted by the “Jellicle Cats” society, whose members are anxiously waiting to be reborn into a new life.

“I’ll be playing Grizabella (aka the non-dancer part). As for what attracts me to her, besides the big song? Grizabella is The cat that shone in the spotlight once upon a time, and doesn’t anymore. She’s scraggy, dirty, ugly, and relives the glory days in her mind. It’ll be interesting to play someone that once shone, and no longer does,” noted Lea.

CATS, which features a larger-than-life junkyard set, colorful make-up and costumes, ‘80s choreography, and often eclectic array of music, has been toured around the world. Just like another British import LES MISERABLES, it has been translated into more than 20 languages.

The musical was shot to video in 1998 and aired on television worldwide.

CitiGroup Inc. offers tickets exclusively to Citi clients till December 6, 2009. Present your Citi credit or ATM card at any Ticketworld outlet, and get 10 percent discount. For more details, contact Ticketworld at (632) 891-9999 or visit www.ticketworld.com.ph.

Catch Lea in the final leg of her U.S. and Canada concert tour: Nov. 4 in Toronto (Queen Elizabeth Theatre); Nov. 6 in Houston (Arena Theater), Nov. 7 in Austin (Paramount Theater); Nov. 10 in Honolulu (Neil Blaisdell Center), and Nov. 13 in Maui (Castle Theater at the MACC).

Saturday, October 31, 2009

Photo Flash: SWEENEY TODD Manila Meets The Press


REPERTORY PHILIPPINES’ Associate Artistic Director Joy Virata, SWEENEY TODD director Michael Williams, and cast members Audie Gemora (Benjamin Barker/Sweeney Todd), Menchu Lauchengco-Yulo (Mrs. Lovett), Franco Laurel (Anthony), Lena Mckenzie (Johanna), Marvin Ong (Tobias), and Rem Zamora (press conference host/chorus) met the press, including BroadwayWorld.com Philippines, on October 28, 2009 at The Roxy along Tomas Morato in Quezon City.

Bag of Beans meat pies were served while Gemora and Yulo were performing “A Little Priest” from the Stephen Sondheim/Hugh Wheeler musical thriller.

Repertory Philippines’ new production of SWEENEY TODD opens November 14, 2009 at the Onstage, 2/F Greenbelt 1, Paseo de Roxas, Makati City.

Lending musical support is Gerard Salonga conducting the FILharmoniKA, while Repertory Philippines’ Artistic Director Baby Barredo and Williams co-direct. The musical, considered as Sondheim’s magnum opus, has been dubbed as one of the 20th century’s more brilliant creations in musical theatre. The show opened on Broadway at the Uris Theatre in March 1979, and ran for 557 performances.

SWEENEY TODD Manila play dates are from November 14 to December 13, 2009, with Fridays and Saturdays at 8:00 p.m., and Saturday and Sunday matinees at 3:30 p.m. For tickets and inquiries, call (632) 887-0710, 888-0887 or log on to www.repertory.ph or Tickeworld (632) 891-9999 or log on to www.ticketworld.com.ph.

MORE PHOTOS

by Oliver Oliveros, BroadwayWorld.com

Monday, October 26, 2009

BroadwayWorld.com: Stephanie Reese, Ready for Carnegie Hall on 11/7


by Oliver Oliveros BroadwayWorld.com

“The Pre-Carnegie Hall concert I had in Manila happened so fast for me, but now I feel that I am more ready than ever for Carnegie Hall. Singing in front of an audience, and sharing my life onstage is my therapy,” Stephanie Reese tells BroadwayWorld.com Philippines.

“I always feel that I am a performing artist, and what genre I am simply depends on the moment. The best way to capture myself is to come to a show where I do a duet with the audience. All of the proceeds of my Carnegie Hall performance will go to the victims of the typhoons “Ondoy” and “Pepeng” in the Philippines. Now, you don’t only care about selling tickets just for your ego, you care about making money to help others,” she adds.

Reese stages her first concert at the Carnegie Hall (Judy & Arthur Zankell Hall) in New York City on November 7, 2009, Saturday at 7:30 p.m.

Reese, who is part Filipino, is the third Filipino solo performer (after pop singer Regine Velasquez and Broadway star Lea Salonga) to sing at the famed concert hall.

Aside from essaying Kim in MISS SAIGON, she has portrayed Esmeralda in the Disney World Premiere of HUNCHBACK OF NOTRE DAME in Germany, Princess Tuptim in KING AND I in London, and Sophie and Sharon in MASTER CLASS in Los Angeles.

Reese studied opera at Indiana University, and at the Cincinnati Conservatory of Music for Musical Theater. She was a dedicated student of the late vocal coach Eileen Manzin of Juilliard.

Her Carnegie Hall repertoire features cabaret, opera, Broadway, and original songs.

Tickets are $75-$135, and are available by telephone at Carnegie Charge (212) 247-7800 or online at www.carnegiehall.org. For more information about the show, contact Elton Lugay of Gawad Kalinga in New York at (212) 417-0419 or visit www.stephaniereese.com.

Tuesday, October 20, 2009

Christian Bautista sings Jose Mari Chan


Asia's Romantic Balladeer Christian Bautista releases his first album under Universal Records entitled "Romance Revisited: The Love Songs Of Jose Mari Chan,” which turned Gold in just two weeks!

Produced by Platinum Producer Ito Rapadas, the 19-track concept album contains Christian's rendition of songs popularized by OPM luminary and Double Diamond Artist Jose Mari Chan. The album also includes Christian's collaboration with OPM's biggest names - Regine Velasquez, Lani Misalucha, Sarah Geronimo, and Jose Mari Chan.

The carrier single "Tell Me Your Name" is currently one of the most requested songs on FM stations in the Philippines. Its music video featuring Thai model-actress Paula Taylor has just debuted on MYX, the leading music channel in the country where Christian is also the Celebrity VJ for the month of October.

The young singer’s recording career was established early on with the release of Christian’s phenomenal first single "The Way You Look At Me," culled from his Quadruple Platinum, self-titled debut album, which was later released in Indonesia (where it was certified Quadruple Platinum), and other Asian countries. He has also done original music videos, his own television special aired over RCTI, the country’s largest television network, and various brand endorsements all over Indonesia - making Christian a certified Asian Pop Idol!

Plans in releasing Christian’s newest album in Asia is already in the pipeline. Right after its release in the Philippines, Indonesia’s biggest record label PT Aquarius Records (which also distributed Jose Mari Chan's "Constant Change" in the '80s) will release Christian's album. For the Indonesian and Malaysian editions, Christian has recorded a duet entitled “Ngiti” (translated in Bahasa) with Malaysian female recording star Noryn Aziz. Album release in other Asian countries will follow suit.

The beautifully-packaged album comes with a 2010 Christian Bautista photo calendar. Limited edition "Romance Revisited: The Love Songs of Jose Mari Chan" CD (with free minus one CD) is available EXCLUSIVELY in all Odyssey outlets.

"Romance Revisited: The Love Songs Of Jose Mari Chan" tracklisting includes “Tell Me Your Name,” “I Remember The Girl,” “Afraid For Love To Fade,” “I Have Fallen In Love (With The Same Woman Three Times),” “Please Be Careful With My Heart” with Sarah Geronimo, “My Girl My Woman My Friend” with Regine Velasquez, “Beautiful Girl,” “Can't We Start Over Again,” “Be Gentle,” “Stay My Love,” “Afterglow,” “A Love To Last A Lifetime,” “Here And Now” with Lani Misalucha,” “Constant Change,” “Deep In My Heart,” “Refrain,” “Can We Just Stop And Talk A While,” “So I'll Go,” and “A Heart's Journey” with Jose Mari Chan.

Monday, October 19, 2009

BroadwayWorld.com: SWEENEY TODD Manila Announces Complete Cast


by Oliver Oliveros, BroadwayWorld.com

Co-written with Pinky Farolan

REPERTORY PHILIPPINES’ new production of SWEENEY TODD is now in full swing. Audie Gemora (Benjamin Barker/Sweeney Todd), Menchu Lauchengco-Yulo (Mrs. Lovett), Liesl Batucan (beggar woman), Robbie Guevara (Beadle), Robbie Zialcita (Pirelli), Franco Laurel (Anthony), Lena Mckenzie (Johanna), Marvin Ong (Tobias), Roger Chua (Judge Turpin), Juno Henares (Mrs. Lovett understudy), and chorus members: James Stacey, Meynard Penalosa, Jejie Esguerra, Red Concepcion, Raul Montesa, Rem Zamora, Oliver Usison, Collins Gutierrez, Jay Pangilinan, David Cruz, Gary Junsay, Cara Barredo, Jay Glorioso, Naths Everett, Joy Virata, Marisse Santos, Ring Antonio, Gloria Sicam, Teenee Chan, and Ronna Guba complete the cast.

Yulo has had 25 years of theatre behind her, and has starred in WEST SIDE STORY, CAMELOT, THE KING AND I, EVITA – to name a few. And as for Gemora, he has had so many theatre-related functions that one is simply in awe of his accomplishments. But it is in his dedication as a prime actor that marks his career.

So when one asks these two accomplished artists why they have agreed to come out in SWEENEY TODD, the responses are quite remarkable. For all the varied productions and roles they have been through, they both agree on one thing as far as SWEENEY TODD is concerned: It is a dream come true.

For Gemora, SWEENEY TODD has always been THE classic masterpiece of Sondheim. He jokingly remarks that if Repertory Philippines did not choose to produce it, he would. With a wry smile, he says – for athletes, it’s the Olympics; for actors, it’s SWEENEY TODD. He adds that the musical is an art piece that has to be performed with precision, because the ear has to be trained for this particular type of music. The challenge is to bring the listener to that space where the dissonance is actually harmony – as so it is!

Yulo was in the 1982 Repertory Philippines’ production of SWEENEY TODD as the young girl, Johanna. Today, she takes on the rather weird Mrs. Lovett. She finds SWEENEY TODD a major challenge for the serious actor. She observes that it can be frustrating when you “come in from the cold” and get exposed to Sondheim’s music. It is his dissonance that makes it all unfamiliar territory. She laughingly adds, when you think you’re singing it right, that’s when you’re off. And when you think you’re off, that’s when it’s right!

Baby Barredo (The Fantasticks, The Sound of Music) co-directs with Michael Williams, MISS SAIGON London alumnus. Other members of the artistic and production staff include Gino Gonzales (Golden Child, Mulan Jr.) for costume design, John Batalla (West Side Story, Once On This Island) for lighting design, and Mio Infante (West Side Story, N.O.A.H.) for set design. Gerard Salonga (West Side Story) conducts the FILharmoniKA orchestra.

SWEENEY TODD is a 1979 Tony-winning musical featuring the music and lyrics by musical theatre legend Stephen Sondheim, and book by Hugh Wheeler. It is based on the 1973 play SWEENEY TODD, THE DEMON BARBER OF FLEET STREET by Christopher Bond.

SWEENEY TODD opened on Broadway at the Uris Theatre on March 1, 1979. It ran for 557 performances.

A scale-down production on Broadway featuring Michael Cerveris (Benjamin Barker/Sweeney Todd) and Patti LuPone (Mrs. Lovett) opened at the Eugene O’Neill Theatre on November 3, 2005. The show ran for 384 performances.

SWEENEY TODD Manila runs from November 14 to December 13, 2009 with additional matinees on Saturdays and Sundays at Onstage, 2/F Greenbelt 1, Ayala Center Makati City. For ticket inquiries and other information, call Repertory Philippines at (632) 8870710, 8880887 or Ticket World at (632) 8919999 or www.ticketworld.com.ph